Work Views present paintings in spatial contexts – physical, simulated, or hybrid. They focus on scale, proportion, and presence: how a work relates to walls, rooms, architectural settings, and imagined spaces. These films are not interpretations and do not add narrative or meaning. They do not explain the paintings, nor do they replace them. The work remains the painting itself.
Work Views use different visual means – documentary footage, staged perspectives, and digitally constructed views – always respecting the real dimensions and spatial logic of the work. The aim is not authenticity as a claim, but clarity of perception. They serve as visual tools for collectors, curators, and architectural contexts, offering insight into how a painting may exist, act, and resonate within space.
After Chaos
Monumental Triptych 2026
Work View – 30 sec. – presents AFTER CHAOS as a spatial composition. The film focuses on scale, proportion, and the relationship between the three panels and the surrounding architectural context.
AFTER CHAOS is a monumental triptych and reflects a movement from chaos toward order – not as redemption or closure, but as a momentary configuration shaped by intensity, rupture, and persistence.
In the Studio
Beneath the Surface.
The studio is not a place of comfort. It is where the work reveals what lies beneath. Slow. Physical. Uncompromising. What you see is only the surface. The real work happens deeper.
